Please refer to the Message Section. Agrarianism in Southern Literature

Agrarianism is defined as a political and complaisant school of thought that emphasizes the importance of farming and the cultivation of plant life for homosexual to lead a happier and fuller life.Thomas Jefferson, one of the chief proponents of Agrarian cerebration in American history, had mentioned its significance thus Those who labor in the creation are the chosen people of God, if He ever had a chosen people, whose breasts He has made His peculiar deposit for substantial and genuine virtue. It is the focus on in which He keeps alive that sacred fire, which otherwise might contend from the face of the earth (Agrarianism).Agrarianism in southerly lit evolved at a time when the culture of the South was supposed to have been attacked by modernity. To comeback the negative impact of modernity on the Confederate culture and traditions, a group of twelve traditionalist poets and writers published an Agrarian collection of essays in 1930 Ill Take My Stand.The thesis of this ma nifesto was that the past rebukes the nonplus for the last mentioneds dependency on machines as opposed to nature. The South was seen as traditionally agricultural, and its people were understood as non-materialistic, religious, as well as well-educated.This viewpoint eventually took shape as an entire genre in grey literature, as the writers and poets who had written for Ill Take My Stand showed how grey agriculturalism could be expressed not only in poetry and essays, except also in biographies, novels, and works of literary and social criticism (MacKethan).Nevertheless, Southern agrarianism is considered an offshoot of Southern modernism, seeing that the subject of agrarian literature is delirium a feeling of being out of place. Moreover, almost all of the agrarian authors and poets are modern (Grammer).One of the famous Southern agrarians and a contributor to Ill Take My Stand, Allen Tate has described his writing thus My attempt is to see the expose from the past, yet remain immersed in the present and committed to it (Fain and Young 189). make up so, Southern modernism is considered an altogether separate genre (MacKethan).Influenced by modernism, Southern agrarianism is said to produced the South (Kreyling 6). MacKethan writes that Southern agrarianism was largely a myth which the Southern agrarians as the contributors to Ill Take My Stand are called had succeeded in propagating as reality.So, although Southern agrarianism was a myth, the writers and poets who had advocated agrarianism were successful in portraying the Southern peoples as non-materialist, lovers of nature. They had managed to make the Southern peoples keep their focus on agrarianism to boot.Even so, as Kreyling maintains, the agrarian movement in Southern literature did not approach a unity of thought that the Southern agrarian writers and poets had claimed to be a ensure of their traditional culture.Today, it is not possible to study the literature of the South without the agrarian model in its midst. Moreover, despite its mythical nature, Southern agrarianism is said to present an aesthetically gratifying world of pure form in literature (Grammer 131).This Southern genre is a widely accepted one. All the same, well-nigh of its proponents have left it altogether. According to Ransom, Southern agrarianism was a constraint on his imagination.Robert Penn Warren, on the other hand, is known to have immersed himself completely in the philosophy of agrarianism (Grammer). Regardless, agrarianism continues to be understood as an essential part of Southern literature, match the past with the present.Works CitedAgrarianism. Answers. 2007. 10 zero(prenominal) 2007. .Fain, buttocks Tyree, and Thomas Daniel Young (eds.). The Literary residual of DonaldDavidson and Allen Tate. Athens, GA University of Georgia Press, 1974.Grammer, J. M. Reconstructing Southern Literature. American Literary History (Spring 2001),Vol. 13, No. 1, pp. 126-140.Kreyling, Michael. In venting Southern Literature. Jackson University Press of Mississippi,1998.MacKethan, Lucinda. Genres of Southern Literature. Southern Spaces. 1 Aug 2005. 10 Nov2007. .Ransom, John Crowe. Wanted An Ontological Critic. Selected Essays of John CroweRansom. Ed. Thomas Daniel Young and John Hindle. Baton Rouge Louisiana State University Press, 1984, pp. 147-79.